Documentation and White Papers

• Stereoscopic Filmmaking white paper
  Fuelled by a convergence of economic need and technical possibility, more and more studios are releasing animated and live-action feature films in stereoscopic 3D (S3D) format.


• Digital Intermediates
  This paper focuses on the digital post-production of film, and in particular digital intermediates, with particular emphasis on the color grading / color correction process. It will attempt to explain how recent developments in digital technology have impacted this highly creative part of the filmmaking process, offering artists and filmmakers new options when creating their visual art.